I’m a huge fan of Groucho Marx. It’s not just that he makes
me laugh like a crazy person (though he does)—I identify with him. His view of
the world and its inhabitants—equal parts acid and anarchy—resonates with me.
His inability to leave any pomposity unpunctured and his propensity to insult
anyone and anything (and get away with it) remind me of myself. Groucho's example allows me to rationalize
those parts of my personality that have led lots of people to describe me as an
asshole.
I can spout Groucho anecdotes and one-liners ‘til the cows
come home. The time he said, “I didn’t know you guys were allowed to have mothers,” to a priest who'd mentioned his mother. The time he
snarled at an annoying drunk, “I never forget a face, but in your case, I’ll be
glad to make an exception.” The time he told a woman who explained her 21 children by saying, "I just love my husband," “Madam, I like my cigar, too, but I
take it out of my mouth once in a while.”
But none of those lines, funny as they are, touches me like the ones from his final days: how, when his old friend George Fenneman lifted him under his arms and carried him, face to face, from his armchair to his bed, he growled, “You were always a lousy dancer, Fenneman.” Or how, when a nurse came to his room to see if he hand a temperature, he said, “Don’t be silly. Everyone has a temperature.”
But none of those lines, funny as they are, touches me like the ones from his final days: how, when his old friend George Fenneman lifted him under his arms and carried him, face to face, from his armchair to his bed, he growled, “You were always a lousy dancer, Fenneman.” Or how, when a nurse came to his room to see if he hand a temperature, he said, “Don’t be silly. Everyone has a temperature.”
I envy that quality that allows a man who’s facing death to crack wise. I’m not entirely sure what it is. It’s
not courage, quite. Call it irrepressibility. Whatever
it was, Groucho had it. So did my grandfather.
Since I’ve already written about my grandmothers and aunt
on this blog, I beg the (most likely nonexistent) reader’s forgiveness as I
slip once again into the self-indulgent slough of memoir. But death seems to
be on my mind, and nostalgia is a cheap and easy refuge from the thought of the
last stop on the track.
Billy Palmer was what was called in his time and place a character. He was a good-looking man,
with a head of thick, curly hair and broad, sly grin. He wasn’t tall, but by the time I knew him, he’d
acquired enough bulk to give him physical presence to match his personal
charisma, a quality of which he had enough to make him intimidating, scary
even, to a small and somewhat insecure boy growing up in a family of larger-than-life personalities.
The ancestral Palmers. Bill Palmer, my grandfather, is second row, directly behind the middle child in the front row. |
He was born dirt poor in the tiny north-central Indiana town of Macy ,
one of seven children, four of whom succumbed to alcoholism and one of whom
took her own life. His father was a mild but none too ambitious day laborer.
His mother probably had a good enough brain, but stunted circumstances had made her mean and shrewish.
His quick wit manifested itself early. When he was five or
so, his mother barked that those who didn’t work didn’t eat, and set her small
son to hoeing the garden. A sister who’d somehow escaped their mother’s baleful attention sauntered by and asked snidely, “Whatcha doing, Billy?” “Oh,
just hoein’ myself up a little dinner,” Billy replied.
Times were brutal for most rural folk in the 1920’s, and people reacted in one of two ways: they either
became crusty, hardbitten, taciturn, narrow of eye and tight of mouth, like
most of the old Indiana men of his generation whom I knew—or you let your
ebullience become the source of your resilience. Billy Palmer chose the latter
route.
He had a congenital and aggressive kind of charm, a natural magnetism that drew all
eyes to him when he walked into a room. He augmented it with snappy clothes,
big diamond rings, and Lincoln Continentals as big as his personality. He
liked attention—it was his medium, he worked in it like other artists work in clay or oils, and he knew how to get it, hold it, mold it,
and use it like a master.
He was a natural salesman. He didn’t inspire trust, exactly.
He was a little too glib, a little too quick, a little too overpowering for
that. What he inspired was the fierce desire to please him. You wanted to be Billy’s friend—you didn’t want to be left out in the cold. And
you got into his good graces by buying what he was selling.
What he sold was cattle. If you ever drove between Indianapolis and South Bend on Indiana 31, you probably saw a big
white billboard trumpeting, “W.V. Palmer, Stocker and Feeder Cattle, Indiana’s Largest
Selection, since 1950”—a claim as grandiose as the man who made it. I have no
idea if he really WAS Indiana ’s
biggest cattle broker, but he sure acted like it. He bought and sold cattle when lots of farmers kept a small herd of twenty,
thirty, or forty head. He loved the business, and he did pretty
well at it. In his later years, he sold cattle to bigger outfits like Armour, Iowa Beef (he claimed to have been a personal friend of Armand Hammer), and McDonalds.
My father says he was the best salesman he’d ever seen. “Wuh, hell, you’re right,” he’d say to some farmer who’d thought he’d try to negotiate. It was a mistake. Billy would come in close,
loom over you, and start poking his finger in your chest. “You’re right. You
saw right through me. I was trying to rob you blind, and you saw right through
me. Shit, those animals aren’t worth a damn. Why, I tell you what, I tell you
what I’ll do right now, I’ll give you a hundred dollars if you turn around
right now and DON’T buy these animals. I’ll do it right now,” and he’d reach
into his pocket, pull out a thick wad of cash, and start peeling off twenties.
Billy cut a hell of a dash, although my father, more restrained and better with figures, knew the real story. “He rode the ragged edge of financial disaster for most of
my childhood,” my pop says, shaking his head and smiling a little ruefully.
“But he knew how to make it look good.”
He could make it look good, all right. Eventually, it actually was good. He died a rich man. But as much as he loved trading cattle—and as good as he was at it—cattle were not, at the end of the day, the
source of his prosperity. Land was.
My father knows the tax codes better, but Billy was no
slouch at number-crunching himself. He figured it was cheaper to grow feed than
to buy it in the 50’s and 60’s, when Indiana farmland was so cheap
you couldn’t give it away. Bit by bit, farm by farm, bank loan by bank
loan, he came to own a good chunk of Miami County.
Naturally, the Federal Government farm subsidy program paid
him not to grow feed. But Billy pocketed Uncle Sam’s largesse with a wide grin,
kept growing, and went to Vegas three or four times a year with his good pal, the
Miami Country Farm Commissioner, who looked the other way. And when land prices shot up, the old boy began to buy and sell whole farms the way he sold cattle.
Billy enjoyed the high life, and he felt right at home in Vegas--a hustler’s town, a shrewd and gaudy place that invented itself and created its own legend. He liked to drink (he was an alcoholic, but, like his
finances, he hid it well) and he liked to gamble. He’d show us grandchildren the
fat stack of bills he’d come back with—the big time high roller just back from
cleaning out Vegas. “I’ll go back when they’ve got more money,” he’d say. "And I'll clean 'em out again."
As with so much else in his life, this was largely
invention, too. After he died, a very nice letter of condolence from Caesar’s
arrived, asking if the heirs wouldn’t mind honoring that $10,000 marker left
outstanding by Mr. Palmer’s sad death.
A lifelong Democrat, he was a two-time delegate to the
National Convention (’64 and ’68), about which he was very proud. My
father occasionally snorts that it wasn’t much of an accomplishment (“Hell,
there’re only six Democrats in the whole damn state”), but Billy liked being a
big shot. He also liked meeting Lyndon Johnson, the one guy whose
powers of persuasion matched his own.
Unless it was a good-looking lady, Billy never seemed too
interested in anyone else. Why bother? He was the most interesting
person in the room. This disinterest extended
to his progeny—he never seemed too enamored of his grandchildren, although he liked
to call me “Perfesser,” and he dutifully attended my brother's and cousin's baseball
and football games. It was part of his mystique to turn the dynamics of any
relationship to his advantage: people fell over themselves to pay him attention.
No one minded that he paid very little to anyone else.
A long slow decline would have been out of character. Mercifully, his final illness didn’t
last more than a month or two. I drove up to Indiana from St. Louis to say goodbye the day of the Farm Sale, at which all his equipment—the tractors, harvesters, combines, manure spreaders, etc—were sold at auction.
Moments after I arrived at my grandparents' house (they lived in a big rambling house nowhere near any of the farms themselves), my father drove up in the Lincoln , with a shrunken, emaciated withered, hunched-over, and rheumy-eyed shadow of Bill Palmer in the passenger seat.
“Sad day, huh, Grandpa?” was all I could think to stammer. He looked nothing like the big and vibrant man I remembered.
“Sad day, huh, Grandpa?” was all I could think to stammer. He looked nothing like the big and vibrant man I remembered.
“Well, Billy’s not in much shape to do a whole lot more
farming, are ya, Billy?” said my father, lifting the old man into his
wheelchair. My grandfather raised his quivering head from the folds of his bathrobe and flannel
pajamas and rasped, “Ooohhh... maybe just light work.”
They’d set up a hospital bed where his big blue leather recliner had been. Hospice nurses tended to him, giggling apologetically as they did it. To the end, Billy kept his lightning wit. He refused his pain medication, telling one nurse, "I'm afraid it might be habit-forming.” When another complimented his full head of curly white hair and said he was still a good-looking man, he leered at her and croaked, “Isn’t Betty [his wife, my grandmother] lucky?”
They’d set up a hospital bed where his big blue leather recliner had been. Hospice nurses tended to him, giggling apologetically as they did it. To the end, Billy kept his lightning wit. He refused his pain medication, telling one nurse, "I'm afraid it might be habit-forming.” When another complimented his full head of curly white hair and said he was still a good-looking man, he leered at her and croaked, “Isn’t Betty [his wife, my grandmother] lucky?”
Those might have been his last words, come to think of it.
I don’t know if you can call it courage. The quips, the one-liners, might have been a distraction from the inevitable. Maybe it's easier to face death when you don’t think about it, because you’ve still got an
audience to entertain. Whatever it is, though,
whatever let Groucho and Grandpa greet the Reaper with a wisecrack, I hope
I’ve got it. Bill Palmer was no saint. He was a drinker, a gambler, a womanizer, a
sharp dealer—you better believe he had his dark side. In fact, he was more or less defined by it. But when we remember him now, it’s with laughter. His humor both softened the blow of his death and gilded his memory. There are worse ways to go.